| Buddhist
Shrines, Stupas and Rupas
20 things that you
may find in a Buddhist shrine
|
1 |
Thanka of a Peaceful (Santa) deity (Tibetan) |
11 |
Incense - symbol of an ethical life |
|
2 |
Thanka of a Wrathful (Krodha) deity (Tibetan) |
12 |
Meditation bell |
|
3 |
Mala, prayer beads, to count mantras (Tibetan) |
13 |
Vajra (Tibetan) |
|
4 |
Tibetan Butter Lamps (Tibetan) |
14 |
Vajra Kilaya or Vajra dagger (Tibetan) |
|
5 |
Puja Bowls - seven symbolic offerings |
15 |
Thigh bone trumpet (Tibetan) |
|
6 |
Buddhist Scriptures |
16 |
Drum (Tibetan) |
|
7 |
Vajra Bell or Ghanta (Tibetan) |
17 |
Prayer wheel (Tibetan) |
|
8 |
Initiation Vase |
18 |
Candles - symbol of awareness and wisdom |
|
9 |
Stupa or Chorten |
19 |
Buddha Rupa - a statue of a Buddha figure |
|
10 |
Flowers, symbol of impermanence |
20 |
A picture of a Buddhist teacher |
As a Buddhist enters
a shrine room they may well bow before the Buddha figure. This bowing
is to acknowledge the reason why the Buddhist is there (to develop and
work on their mental states). The Buddha Rupa is not a God-figure, but
is rather and idealised representation of what the Buddhist practitioner
is trying to achieve, Enlightenment or Bodhi. The Buddha Rupa is an ideal
or goal of what the individual Buddhist could be or achieve. The Buddhist
is therefore reverencing this ideal, focusing their attention on it and
showing that they are serious about their intentions and efforts.
Stupas
For
several hundred years Buddhists did not have any figures or forms on Shrines.
There then developed a tradition of using a Stupa. A Stupa traditionally
was a reliquary, a place for storing the relics of saints. The Stupa therefore
has associations of death and impermanence and the dissolution of the
elements. Symbolically the Stupa represented each of the elements. The
square of the base represented the earth, the dome or sphere represents
water, the cone fire, the disc, air, and the flaming jewel at the top,
consciousness.
Buddha Rupas
Gradually
traditions of making representations or forms of the Buddha developed.
The word for "form" is Rupa, so one talks in terms of the Buddha Rupa
on a shrine. Often these would be stylised or idealised representations
of the historical Buddha °© the figure was known as Shakyamuni, or "the
sage of the Shakyas". The Buddha figure would be golden in colour, with
his hair in a topknot, the left hand in the mudra or gesture of meditation,
the other hand touching the earth in the Bhumisparsa or "earth touching
mudra". This shows the importance of meditation in the achievement of
Enlightenment, the earth touching mudra refers to the story of the Buddha's
enlightenment when he was asked to justify his right to claim to be a
Buddha and called the earth goddess to witness his years and lifetimes
of effort.
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